In order to have pure, cleaner-sounding intervals, we sing with two different sizes of whole-step and two different sizes of half-step. But we sing as much as possible in just intonation. If we were to sing in piano tuning, this is all you would need to know about the major scale. Thus, five whole-steps and two half-steps. The C-major scale consists of the following ascending intervals: We will only be concerned at the moment with C major. Thus, more accurately, the notes of A-minor are: The only difference between C major and A minor is that the minor key has its own leading-tone: G#. These same whole-steps and half-steps, and in the same order, are also used for the key of A-minor, which starts a minor third lower. C major is known as a diatonic scale, consisting a series of whole-steps and half-steps. In C major the note B is the leading tone, which “leads” both melodically and harmonically into the note above it, C, the tonic of the scale.
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